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Despite a relatively small recorded output and little media recognition, Bark Psychosis were one of the most innovative artists of their era.

From rather uninspired origins as a teenage Napalm Death cover band, the British group evolved by leaps and bounds, moving from moody, lush pop to ambient soundscapes to taut, atmospheric experimental music; their work was so revolutionary, and so impossible to define, that noted critic Simon Reynolds even found it necessary to invent a new subgenre -- "post-rock" -- simply to categorize their vision.