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Boogie piano master Amos Milburn was born in Houston, and he died there a short 52 years later.

In between, he pounded out some of the most hellacious boogies of the postwar era, usually recording in Los Angeles for Aladdin Records and specializing in good-natured upbeat romps about booze and its effects (both positive and negative) that proved massive hits during the immediate pre-rock era.